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Dance Luminary Matthew Ball on Grueling Parts and Online Scrutiny: 'I'm Not Protective About My Body'

Within the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is effortlessly upright, his arms defined beneath a simple tee. During performances, ballet dancers can seem like mighty deities, yet frequently offstage they are small. This is not true for Ball, whose tall stature is part of his demand for princely characters and pas de deux work. Possessing delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Pinnacle

Now 31, Ball is enjoying the peak of a career that has advanced smoothly. Raised in Liverpool, he faced little teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved straight into the troupe and was advanced annually, attaining the highest position of lead dancer in 2018. He has loved tackling substantial dramatic roles, particularly the emotional angst found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His next starring appearance is as himself, in an "Evening With" series designed to offer behind-the-scenes perspectives into a dancer's art. He will walk the audience through a part, showing his cognitive process during performance. Even in lighter works, the test is significant. "A classic ballet is one of the toughest technically," he states.

The Mental Struggle and Post-Performance Feelings

What about following a show, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to extract all the emotion out of it, and get lost in the role, quite often I do feel self-conscious later. After an intense role I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. Yet a choreographer previously remarked on a "sense of suffering in him." Does this exist? "I am very active usually, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for good change."

Early Motivations and Artistic Influences

His determination stemmed from youthful experiences. Not doing well in contests at school made him "vengeful!" It was fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

The next endeavor is creating his own dance works. In his view, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from literature, music, and painting.

Close-Up Performance and Private Dynamic

He additionally favors staging dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They are not usually matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Perception

On social media, followers can see clips from his dance films and images that showcase a athletic physique. Does he mind that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—something that can be seen on various levels.

Ball characterizes his younger self as "desperate for success." Did it met his expectations? "I feel very aware of how reality is a separate thing to the dreams you made as a child," he muses. He likely has another ten years of performing left. "I guess in the future, I want to be a bit more kind with myself."

By

Sue Miller

A seasoned journalist with a passion for uncovering UK stories, Evelyn brings over a decade of experience in cultural reporting.

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